Director: Fernando de Fuentes | Assistant Director: Miguel M. Delgado | Producer: Alberto J. Pani | Writers: Fernando de Fuentes & Xavier Villaurrutia, based on a novel by Rafael F. Muñoz | Cast: Antonio R. Frausto (Tiburcio Maya), Domingo Soler (Pancho Villa), Manuel Tamés (Melitón Botello), Ramón Vallarino (Miguel Ángel del Toro, "Becerrillo"), Carlos López "Chaflán" (Rodrigo Perea), Raúl de Anda (Máximo Perea), Rafael F. Muñoz (Martín Espinosa), Alfonso Sánchez Tello (General Fierro), Paco Martínez (General Huertista), Dolores Camarillo "Fraustita" (Lupe, wife of Tiburcio), Consuelo Segarra (old woman), David Valle González (Chon), Max Langler (the flaco), Miguel M. Delgado (doctor), Silvestre Revueltas (pianist in the bar), Jesús Melgarejo (soldier), Pedro Valenzuela (soldier), José del Río (Pedro, son of Tiburcio), Esperanza Gómez (wife of Tiburcio (final sequence), Gloria Barón (daughter of Tiburcio, final sequence) | Cinematography: Jack Draper; Camera Operator: Gabriel Figueroa | Scenography: Mariano Rodríguez Granada & Antonio Ruiz | Editor: José Noriega | SoundEditors: Eduardo Fernández & Rafael Ruiz Esparza | Music: Silvestre Revueltas | MilitarySupervision: coronel J. B. Vega | Producing Company: Clasa Films | Language: Spanish, with English subtitles included in rar files (srt) | Genre: Mexican Revolution, Drama, War, Foreign | Runtime: 92 Min | Sound: Monoaural | Format: B&W, DvdRip, NTSC, Avi | Country: México | Year: 1936

¡Vámonos con Pancho Villa! ("Let's Go with Pancho Villa!") is a Mexican motion picture filmed in 1936. An anti-epic based on a novel, it focuses on the cruelty of the Mexican Revolution and Pancho Villa himself, contrary to most of the Mexican movies about this national hero.
The movie is thought to have been the first Mexican super-production and led to the bankruptcy of the film company that made it.

IMDB

Synopsis: This classic of Mexican cinema follows the adventures of six young men who leave their rural homes to join Pancho Villa's army. Together the men endure hardship, tragedy, and disillusionment for the cause of the Mexican Revolution. Part of Fernando de Fuentes's "Revolutionary Trilogy", this sweeping epic reveals the director's visual affinity to the cinema of John Ford and confirms his importance in the history of Latin American film. It’s interesting that as the war moves further into the past, it moves forward as the main subject in this film. Events are remembered, place names are dropped, old songs sung and legends are retold with considerable nostalgia. The scope of this film is the largest of the three with grand cavalry charges and great battles fought and won with heroic actions… all the stuff of fond memories insulated from harsher realities by time. Let’s Go With Pancho Villa becomes simply a buddy movie similar in form to All Quiet on The Western Front or Full Metal Jacket, where we follow our group of friends into war. One by one they are killed until at last there are only two left. On the eve of the big battle one contracts small pox and the other is ordered to shoot him. The executioner then is turned out by Pancho Villa himself, who fears the last of the group is also infected. If there is a moral here it’s perhaps that in war, everyone is expendable.
Villa was portrayed by Domingo Soler. Directed by Fernando de Fuentes, the film tells the story of a group of friends who hear about the revolution and Villa and decide to join him, only to suffer the cruel reality of war under the command of a Villa who simply does not care about his men.

The movie has two endings: the original ending shows the last surviving friend returning to his home, disenchanted with both Villa and the Revolution.
The second ending, discovered many years later, returns to the same scene ten years later, when an old and weakened Villa tries to recruit the last survivor again; following his refusal, Villa kills the whole family except for the youngest son, whom he takes with him. It is unknown whether the second ending was censored by the government or the director simply thought it was unnecessary.
A great failure when released, interest in the movie resurged many decades later, and today is considered one of the best movies of Mexican cinema both for its approach to the theme and its technical merits.
It stands apart among the many movies made about Villa in that it portrays the man and the Revolution in its cruelty; most other films, like those by Ismael Rodríguez in the 1960s, take an almost idyllic view of both, following the official (government) mythos.
The movie music was composed by Silvestre Revueltas, who makes a cameo appearance in it.

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